One of my paintings was selected to be exhibited at the Governor’s Mansion in Lansing, MI and we were honored to be a part of it. The show was curated by Pierre Paul Gallery out of Ann Arbor who partnered with TRA Gallery in Troy where I have some paintings at, and voila! We got to meet Governor Snyder at his house.

Left to right: Laura (wife), Governor Snyder, First Lady, Me.

“Refreshed in Autumn” (2011) – 18 x 24 in. Acrylic.

Above is the painting that was on display. It’s of the Detroit Institute of Arts building. You can watch a video of the making of this painting here: http://youtu.be/YYDJkYQGHQ8

The experience was pretty interesting. There were probably 20 Michigan artists represented there and maybe 75 people in attendance. It was otherwise just like any other art opening, but it was cool to see the mansion. The Governor doesn’t actually live there full time; he lives in Ann Arbor, but I did hear that Governor Granholm did live there full time when she was in office.

Many thanks to TRA and Pierre Paul Gallery for allowing me to be a part of such an awesome occasion.

"Breakfast on Blue Plate" - 4" x 4", acrylic and pen

Hey ya’ll,

Just an update on my Etsy shop. For about the last year-and-a-half I was listing and selling small food paintings on Etsy. It was sort of an experiment for me in doing some quick sketches, trying out new approaches to painting and new ways of presenting an image, while at the same time experimenting with selling this series of work almost exclusively online at wholesale prices.

I did have some great successes with this venture. Most notably, on top of selling a couple dozen paintings or so, this series was featured on Design*Sponge – one of the top design blogs on the internet. You can check out the feature here. In addition, the series inspired a 3-person show which happened at Lansing Art Gallery and garnered some good press, including a write-up in Revue Magazine, which you can check out here.

But in spite of some successes that I’m personally proud of, I have closed down my Etsy shop for a couple reasons. One is that with all the work I was putting into it, after a while it just wasn’t making as much financial sense as I had hoped. Another reason is that I have been slowly moving away from food-themed work lately and focusing more on my portraits and abstract work.

The good news is that all the food paintings that were on my Etsy are now on display and for sale at DCF Gallery in Grosse Pointe, MI. So if you are interested in adding some unique items to your art collection, get in touch with the gallery or stop on by.

Here is a sample of what’s available there:

"Leftover Pie" - 4" x 4", acrylic and pen - $65

"Chocolate Cone" - 4" x 4", acrylic - $65

"Cookie and Shadow 2" - 4" x 4", acrylic - $65

All that to say I’ll be continuing to list on Etsy the remaining paintings from my Azoni Briefs series that I got back from the gallery. Coincidentally, just in time for Christmas! Imagine that.

Here’s what’s new – more listed pretty much daily:

"Chocolate Cone" - 4" x 4", acrylic

"Bananas and Syrup" - 4" x 4", acrylic and pen

"Blueberries and Shadows" - 4" x 4", acrylic and pen

Watch the video of the making of “Blueberries and Shadows”.

"Breakfast on Blue Plate" - 4" x 4", acrylic and pen

Paintings range in price from $45 – $90 and I include free shipping on all orders within the continental U.S.

Enjoy!

You can read about our exhausting moving experience on Laura’s blog, but in short, this is the new studio space as it stands:

Looks like I’ve got some work to do.

"I went somewhere in a cup of tea", 2011 - 28" x 52", acrylic on canvas

A good friend of mine, Kelly, is a really inspiring person; a talented and accomplished writer, deep thinker, and a lover of those moments in life that create unique memories, and are best shared with the closest of friends.

This commission was a different one, in that most clients when they commission a painting from me, have a pretty straightforward idea of what they want. Kelly wasn’t quite sure, which I can totally understand. Commissioning a painting for many is a big deal. Especially with a painting this big, it would be a dominant figure in the room. So as we brainstormed, we agreed it needed to be something more than an ambiguous abstract painting, or a nondescript landscape. In keeping with Kelly’s profession and passion, it needed to have some sort of story to it, without being overly literal.

We eventually landed on a theme of ‘something that doesn’t belong in a landscape’.

I had done a mural in our mutual friends’ apartment several years ago, which became the starting point for this piece.

For Kelly’s painting, I kept imagining an antique living room setup in an open field. She had sent me some writing samples to get some ideas from, and the writings to me had a quiet introspection and nostalgia to them. Sort of just thinking on life, memories, and friendships… and so the painting I felt had to have a quietness about it… a feeling of reflection, and it also had to hint at community; so two chairs as opposed to one.

After finishing the painting, I had a hard time titling it. Titles for me are usually a last minute add-on… a mere step above naming everything “Untitled”. I just don’t put too much emphasis on them. But in keeping with the fact that this painting possessed more of a specific story than I’m used to with my work, I went back through Kelly’s writing and the opening line to one of the pieces she sent me really grabbed me: “I went somewhere in a cup of tea today.” I felt that really summed up the direction I was going for with this painting.

Well, my wife, Laura and I are moving to Kalamazoo, MI next week where I will be setting up a new studio space there. If you are interested in commissioning a painting or purchasing something I’ve already done, be sure to let me know via the contact form.

Leland, MI is just about a 15 minute drive from Suttons Bay so Laura and I headed over there. Leland is a historic fishing town, so there’s lots of old shanties and docks and interesting stuff to paint, but there are also a ton of tourists that flock there, so we opted to get away from all the people and settled on a calmer spot by the beach.

Painting here was definitely more difficult than I had expected. The wind from the lake was blowing hard and constantly, so I had to paint fast because my paints kept drying up on my palette.

When Laura wasn’t exploring the area with the camera, she was reading The Help. Her review: it’s hilarious. This was confirmed by her steady stream of giggling beside me.

Here’s the final product:

Leland Shore, 2011 - 9" x 12" acrylic on canvas

My biggest fear about painting on-site has been people coming up to me and wanting to watch me paint, or making comments and whatnot… interrupting the process… especially if I’m not happy with the painting at that point in time. But as it turns out, the handful of people that passed by didn’t seem to care about what I was doing. Now I just wonder what that says about my painting skills. :)

"Cranbrook Reflections", 2011 - 16" x 20", acrylic on canvas

The cool thing is that this was commissioned by a bride who is giving it to her soon-to-be husband on their wedding day next month. This spot holds a special meaning for the two of them, and what a great way to honor and remember this place for the rest of their lives.

What’s especially great about this for me is that my wife and I discovered this spot when we were dating and would to go there for picnics on restful Sundays. We’d pick up some good snacky food at the store after church, shut our phones off, and just hang out and dream about the future together.

One such day at Cranbrook

In fact, it was here, looking at the same statues in the reflection pool that we excitedly began talking about what our own wedding might look like, specifically, what song would play as Laura was walking down the aisle. I hadn’t even proposed yet, but it was that day that I began thinking “alright.. I guess this is it”, in the most confident way possible. Now coming up on a year-and-a-half of marriage, I know I couldn’t have made a better choice.

So what place holds significant for you in your relationships?

My process is certainly not a linear one, where the painting starts off great, and gets better and better until completion. In fact, for me a painting usually starts off great, then I manage to screw it up and it begins a rapid downhill decline. I then worry and obsess about it, drag my wife into the studio to obsess over it with me, and then I end up just throwing caution to the wind, putting on loud music and trying not to over think what I’m doing. At this this point the painting tends to come back to life. It’s funny to me how thinking less about what I’m painting tends to produce a better painting, while being really intentional with every mark, does more to kill the painting than anything.

Lilies and Grass, 2011 - 61" x 43", acrylic on canvas - $2,190

I think this one is strong for me because of the many layers of marks and the different things going on within the landscape. It has a nice energy to it which I’m really happy about. It’s also reminiscent of how I used paint in college, and it’s refreshing to see some of those ways of painting show up in my work now.

"Laura in the Sun" - 25" x 26", Acrylic on canvas - $975

As I’ve been venturing back into portraiture after a stretch of painting mostly food imagery, I’ve been loving the approach of simple and rough. Paintings can easily become overworked, and it’s most annoying and noticable with portrait work in my opinion. My favorite paintings are the ones I’ve fussed the least with. So my motto in the studio lately has been, “it’s better left underworked than overworked.”

My goal with this painting was to focus solely on the figure, which meant removing her from any obvious context, like a room, or sitting in a chair. In addition, I wanted simple marks, simple shapes, and crudely drawn lines. I think I achieved the energy of the final product, and the fun in the process that I was aiming for.

Check out past portrait work here and ask me about commissioning a portrait here.